Selected Work

Three consecutive editions of the world's richest race day — screens and video ops for a record 65,000+ crowd, broadcast to 170+ countries.

Technical direction and 3D projection mapping across a 50-metre surface for the UAE's 54th National Day, at the historic Al Dhafra Fort.

Four consecutive editions at the Jeddah Corniche Circuit — fanzone projection mapping and ceremony video ops on F1's fastest street track.

Three consecutive editions of MENA's largest music festival — one network linking every stage, with emergency signal override from a central control room.

AVL and structure lead across 20+ artworks at the world's largest light art festival — six sites, citywide, 17 nights.

Three Guinness World Records in one show — 165 projectors mapping 230 metres of Dubai skyline for a luxury hotel launch.

13 immersive scenes retelling a nation's history — the flagship show of Algeria's 70th revolution anniversary.

Video technical management for a UN-level trade summit — ~4,000 delegates from 164 member states at ADNEC.

Dusk-till-dawn projection mapping among 6th-century BC ruins in AlUla — Saudi Arabia's first UNESCO World Heritage Site.

Pre-game shows and live media server ops for FIBA's season finale — 8 clubs, 6 countries, international broadcast.

Real-time VJ mixing and projections for a multimedia festival edition in Nizhny Novgorod.

Opening ceremony visuals for Russia's national student arts festival — the launch event of Nizhny Novgorod's 800th anniversary year.

LED-driven visual storytelling at Moscow's Zaryadye Hall, one of Russia's most acoustically advanced venues.

Virtual xR studio build for IBM — LED walls plus camera tracking for broadcast-grade corporate presentations.

Video systems and in-arena visuals for the KHL's showcase weekend at Moscow's VTB Arena.

xR studio operations for regional government broadcasts — virtual sets for official public announcements.

Projection-mapped visuals for the official gala dinner of the Formula 1 Monaco Grand Prix weekend.

Turning Moscow's architecture into a nighttime canvas — projection mapping at the Polytech and Ostankino sites.

Broadcast infrastructure at a 44,000-seat World Cup venue — camera platforms, CATV, control room and giant screens, all to FIFA spec.